Finished! My new piece of art.
Hi all, Well, just as I said, I performed the post-production using Photoshop. To do this I first rendered the scene at
Hi all, Well, just as I said, I performed the post-production using Photoshop. To do this I first rendered the scene at
Slap me in the face with a herring and call me Stinky! My last post I said that it was time for post-production. Totally wrong. That’s what happens when you spend six straight hours positioning and posing models – the brain goes gaga. I also forgot to tell you what models and gear I used. Well, I will leave that up to my concluding post on the topic. So lighting
Aurelia
Thanks Firstly a big thanks to everyone who follows or reads this blog. An even bigger thanks to those special few who have chosen to leave comments! To be honest, I really did not expect much interest. So imagine the surprise that I feel knowing that since
I now have a “photo” map of what Shade looks like. The combination of Bryce and Photoshop was great. I also spent a lot of time referencing Google Maps to get a sense of colours and geography. Notice that since my previous pictures of the map I have flipped it to its true east-west direction. I also decided to crop off any bits of geography not used in the story,
As a child in the 1970s I used to take great joy in the maps of books that I loved. I remember patiently tracing the Narnian maps, then transferring them to drawing paper and carefully colouring them in. I went on to do this with maps of Middle-earth and Earthsea and then started creating maps for any book I really loved that was without a map. Now that my upcoming
‘Slumming It’ is a documentary by Kevin McCloud whereby McCloud visits the slum of Dharavi in Mumbai, India. Here he finds a world that is so different to that which Westerners (like myself) experience. The children play among filth near toxic drains, Pollution is everywhere. Poverty is everywhere. Surely this must be soul crushing for the inhabitants. And yet there is a richness of spirit that is fascinating to watch.
Back on to the creation of the cover. As I said in my previous post, my designer Paul Deuis of Jethryk (http://www.jethryk.com.au) guided me superbly in what I needed to give him. In this post I’ve included
Whoever said that you should not judge a book by its cover was obviously swimming against the tide. Judging a book by its cover is precisely what most people do. You only need to stand in a book shop (you remember book shops don’t you?) and watch people browse. The books with the great covers are constantly being examined. Anyway, I wanted a great cover. And I wanted it as
In the mid-1990s I read a book with an idea that captured my imagination. In Verner Vinge’s “A Fire Upon the Deep” I read of a canine gestalt-sentient species called the Tine. A gestalt-sentient species, as portrayed in that novel, was one that had a sort of group mind or group consciousness. So an “individual” might be made up of five or six beings who shared a consciousness. What really